Special report by Adam Blitz. Storms, Wars and Shipwrecks offers the visitor a unique opportunity to delve into the distant past and glimpse vestiges of Sicily’s rich past.
Imagine if art could talk.
With the depth and insights of a wise elder, Dennis Menos gives voice to Karyatis, the lone Caryatid statute standing quietly in the British Musuem to Sophie, an art student in his latest book, Purview: Her View, Eye Witness to History.
A simple Twitter message arrived from Elizabeth Rynecki on a Tuesday evening at 6:26 p.m., far too busy to really explore, and, I clicked anyway.
“Love the ideas behind @museumpaige work. @keridouglas I think you’d like this! soovac.org/index.php/show…
My curiosity was ignited. I opened the link for the gallery show announcement, Harmony in Red_Paige Dansinger at SooLOCAL, August 16 – September 15, 2013 in Minneapolis, Minnesota. Paige Dansinger, is an artist, art historian, museum and tech genius who co-developed the DrawArt.MuseumPaige.com app.
A bold, red, curvacious odalisque reclining with an energy and power of sensuality with a sense of daring.
During the occupation of Athens by the Ottoman Empire, over 50% of the Parthenon sculptures were taken by questionable or unscrupulous means by then Ambassador and Lord Elgin for his home in Scotland that were later purchased by the British Parliament for the British Museum.
The International Organizing Committee – Australia – for the Reunification of the Parthenon Marbles (IOC-A-RPM) will host a two day second International Colloquy Parthenon: An Icon of Global Citizenship beginning on November 15, 2013 at the University of Sydney Nicholson Museum that will concentrate the dialogue in four areas: education, economy, activism and litigation. A call for papers and expert speakers is open until July 31, 2013.
Why now? What are the key points to ensure the return of the Parthenon sculptures?
When least expected, an answer comes forward that goes beyond a country’s claim, international law and suggests there is a global sense of decency when addressing cultural heritage and patrimony. Dr. Gary Vikan, during one of his last public lectures as the director of the Walters Art Museum in Baltimore, Maryland and completely not related to the topic of his lecture on his upcoming book on the Shroud of Turin, was asked, “Should the Elgin Marbles be returned?”
Edward Dodwell and Lord Elgin meet again, two hundreds years later. A rarely seen collection of illustrations by Edward Dodwell, a painter and reporter of ancient Greece is currently on display at the British Museum. In his writings, Dodwell tells of “being present when the Parthenon was despoiled of its finest sculpture”. Now, his illustrations are being presented at the British Museum, while the “finest sculpture” is on permanent display – the Parthenon Marbles.
Delicious irony when Greek mythology filled with gods for love, wine and harvest is trumped by Biblical parables on theft, sibling rivalry and coveting someone else’s property. Only the absurd can be told in an imaginary tale of a king, his sons and their choices in art.